Painting & Sculpture in Dialogue: Art Connects in Altomünster
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Painting and Sculpture in Dialogue: Art Connects in Altomünster
At the Museum Altomünster, starting from September 27, 2026, the works of Polish sculptor Remigiusz Dulko from Oświęcim/Auschwitz and the painter and writer Fabian Oppolzer from Aichach will meet. The exhibition connects two independent artistic positions and opens a sensitive dialogue about color, form, material, and cultural encounter.
When Surface and Space Converse
Painting unfolds its impact through color, line, rhythm, and image space. Sculpture responds with volume, surface, weight, and spatial presence. In the curated juxtaposition, a concentrated exhibition atmosphere emerges, in which both media question each other and open new perspectives on contemporary art.
Remigiusz Dulko: Sculpture between Body and Memory
Remigiusz Dulko studied sculpture at the Academy of Fine Arts in Krakow and graduated with honors in 1979. For more than four decades, he has worked with bronze. His figurative sculptures revolve around people, relationships, memory, and spirituality. The plastic works combine craftsmanship precision with a symbolically open visual language.
Fabian Oppolzer: Painting between Image and Narrative
Fabian Oppolzer works as a painter, writer, and musician. His artistic practice combines literature, history, and visual design. At the Museum Altomünster, his paintings enter into a charged exchange with Dulko's sculptures. Color, image rhythm, and narrative condensation expand the view on the relationship between surface and space.
Art as a German-Polish Encounter
The exhibition is marked by the partnership between Dachau and Oświęcim/Auschwitz. Art becomes a connecting medium across linguistic, geographical, and cultural borders. The Museum Altomünster creates a historical resonance space that links cultural education and contemporary art with its connection to the history of the monastery and the Brigidine Order.
Aesthetic Experience at the Museum Altomünster
The tour invites quiet contemplation of the works. Light, materiality, surface, and spatial effects unfold particularly in the immediate encounter with the originals. Thus, an art experience arises that not only informs but sharpens perception and stimulates reflection on the relationship between image, body, and memory.
Conclusion: Contemporary Art as a Connecting Dialogue
Painting & Sculpture in Dialogue – Art Connects promises an inspiring exhibition between bronze, color, form, and history. Art enthusiasts will experience two different handwriting styles in a special historical context and discover how cultural encounters become visible through art. For a sustainable aesthetic experience and a deepened contemplation of the works, a visit to Altomünster is absolutely worthwhile.
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