Painting & Sculpture in Dialogue at the Museum Altomünster


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When Painting and Sculpture Enter into Conversation
At the Museum Altomünster, two artistic positions from Germany and Poland meet from September 27, 2026 to January 17, 2027. The exhibition Painting & Sculpture in Dialogue presents works by the Polish sculptor Remigiusz Dulko from Oświęcim, also known as Auschwitz, and the Aichach painter and writer Fabian Oppolzer. The focus is on how art creates encounter and opens a dialogue across linguistic, cultural, and historical boundaries.
Surface, Color, and Volume in Dialogue
The exhibition brings together two fundamental forms of expression in the visual arts. Oppolzer's painting unfolds through color, line, surface, and graphic density. Dulko's bronze sculptures respond with body, weight, surface, and spatial presence. In the examination of the works, a dynamic interplay emerges between painterly gesture and sculptural form, between visual suggestion and tangible materiality.
A German-Polish Exhibition with Historical Resonance
The joint presentation also has a cultural-historical dimension. Remigiusz Dulko hails from the Polish partner district Oświęcim, while Fabian Oppolzer is represented as an artist and writer from the Aichach region. Thus, the exhibition connects to the partnership between the districts of Dachau and Oświęcim. Art becomes an experiential parallel language of history and opens a space for cultural education, remembrance, and understanding.
Bronze, Drawing, and Aesthetic Experience
Especially impressive is the connection of Dulko's extraordinary bronze sculptures with Oppolzer's delicate drawings and images. The different materials create a varied exhibition atmosphere: metallic surfaces reflect light, while lines and painterly structures guide the gaze into the pictorial spaces. This creates an art experience that sensitively engages form, material, and spatial effect.
The Museum Altomünster as a Place of Encounter
The Museum Altomünster connects the special exhibition with its permanent exhibition on the Altomünster monastery and the Bridgettine order. The historical environment gives contemporary art a special resonance space. Between monastic history, regional culture, and contemporary art, a concentrated curation develops that invites quiet contemplation and open conversation.
Conclusion: Experience Art Live in Altomünster
Painting & Sculpture in Dialogue promises an inspiring aesthetic experience for art enthusiasts, families, and all those who wish to discover contemporary art in a historical setting. Visitors experience how color, line, bronze, and space converge into a transcultural visual language. A visit to the Museum Altomünster enriches the view of art, history, and understanding – this exhibition should definitely be experienced live.
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