Painting & Sculpture in Dialogue at Museum Altomünster: Art Connects
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When Painting and Sculpture Enter into Conversation
At the Museum Altomünster, the works of Polish sculptor Remigiusz Dulko from Oświęcim/Auschwitz and Aichach painter, musician, and writer Fabian Oppolzer meet. The exhibition Painting & Sculpture in Dialogue connects two independent artistic languages into a compelling art experience about color, form, material, memory, and cultural encounter.
A Dialogue Between Surface, Body, and Space
The curation does not place painting and sculpture as opposites side by side, but rather allows both media to react to one another. Color fields, lines, and picture rhythms encounter volume, surface, and the spatial presence of bronze. Light, shadow, and in-between spaces become active components of the work's observation.
The exhibition atmosphere thrives on productive tensions. Where painting opens inner spaces and works with color sounds, sculpture sets physical accents. Visitors experience how perception changes in space and how art initiates a dialogue across language and country boundaries.
Remigiusz Dulko: Bronze as Condensed Presence
Remigiusz Dulko was born in 1955 in Lidzbark Warmiński and studied sculpture at the Academy of Fine Arts in Krakow, graduating with honors in 1979. He has been working with bronze for more than four decades. His figurative sculptures revolve around human relationships, spirituality, sensuality, memory, and the relationship between the sacred and the everyday.
Dulko's bronze sculptures unfold their effect through mass, gesture, surface, and between-space. The traditional material appears powerful and sensitive at the same time. The plastic presence of the works challenges the space and directs attention to craftsmanship, physicality, and the tension between idea and grown material.
Fabian Oppolzer: Painting Between Image and Narrative
Fabian Oppolzer, born in 1984 in Stuttgart and raised in Vorarlberg, studied history, theology, and comparative literature in Vienna. Since 2017, he has been working as a visual artist. His practice combines realistic portraits and imaginative pictorial worlds with literary and cultural-historical thinking.
Oppolzer's works include oil, watercolor, ink, wax, and mixed techniques. Motifs such as self-portrait, landscape, animal representation, and literary figures open resonance spaces for memory, symbolism, and narrative. In interplay with Dulko, his painting gains additional spatial tension: color sound and picture rhythm respond to the physicality of bronze.
Art as a German-Polish Connection
The exhibition also has a cultural-political dimension. Remigiusz Dulko comes from Oświęcim or Auschwitz, the Polish partner district of Dachau. Fabian Oppolzer lives and works in the region. The exhibition thus brings together two artists from different cultural and media contexts and continues the district partnership in the medium of art.
The Museum Altomünster becomes a place of cultural education, where contemporary art, memory, and historical heritage relate to each other. The exhibition shows how different media communicate and how an aesthetic experience opens new perspectives on material, identity, and human encounters.
Conclusion: An Art Experience with Sustainable Impact
Painting & Sculpture in Dialogue promises a concentrated encounter with two independent artistic positions. Bronze sculptures by Remigiusz Dulko meet the painterly and literary sensibility of Fabian Oppolzer. Those who want to experience color, form, material, and cultural connection in immediate perception should definitely visit this exhibition at the Museum Altomünster live.
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