Painting & Sculpture in Dialogue at the Museum Altomünster
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When Painting and Sculpture Engage in Conversation
The Museum Altomünster presents Painting & Sculpture in Dialogue, a German-Polish exhibition by Remigiusz Dulko from Oświęcim/Auschwitz and the painter and writer Fabian Oppolzer from Aichach. The exhibition brings together two artistic languages into a compelling artistic experience about form, material, memory, and cultural encounters.
A Dialogue Between Surface, Body, and Space
The exhibition title also describes the curatorial principle: Painting and sculpture do not stand isolated next to each other but respond to one another. Color fields, lines, and image rhythms meet the spatial presence of bronze, volume, and surface. In contemplating the works, an aesthetic experience arises that sharpens the perception of proportion, materiality, and movement.
The exhibition atmosphere thrives on concentrated contrasts. Where painting opens inner spaces and works with color tones, the sculptures set physical accents. The museum becomes a resonance space where different cultural experiences become visible and art transcends linguistic and geographical boundaries.
Remigiusz Dulko: Bronze as Condensed Presence
Remigiusz Dulko studied sculpture at the Academy of Fine Arts in Krakow and graduated with honors in 1979. For over four decades, bronze has been the central material of his artistic work. His figurative sculptures revolve around humans, relationships, memory, and spirituality; often, his visual language moves between the sacred and the profane.
The bronze sculptures unfold their impact through mass, surface, gesture, and interspace. Their craftsmanship precision is combined with a quiet, compelling presence. Light glides over the metal skin, while the plastic forms structure the space and invite a slowed perception.
Fabian Oppolzer: Painting Between Color and Meaning
Fabian Oppolzer works as a painter, musician, and writer. His artistic practice blends color, structure, narrative, and memory. For the exhibition, he has selected images that open new fields of tension in interplay with Dulko's sculptures.
In direct confrontation, painting gains an additional spatial dimension. Color harmony and image rhythm respond to the physicality of the bronze, while the sculpture becomes perceivable as part of an extended composition through the painterly environment. Differences are not smoothed over but used as a productive basis for an artistic dialogue.
Art as a Connection Across Borders
The exhibition is also a sign of the partnership between the district of Dachau and Oświęcim/Auschwitz. It makes visible how cultural education and aesthetic experience enable encounters that extend beyond historical and national borders. Here, art appears as an independent form of conversation: sensual, open, and simultaneously culturally responsible.
Conclusion: An Exhibition for In-Depth Views
Visitors can expect a concentrated encounter with the works, where painting and sculpture unfold their respective possibilities and mutually expand. Those who wish to experience contemporary art, bronze sculpture, expressive visual worlds, and cultural exchange will find a special resonance space in the Museum Altomünster. The exhibition is worth the visit on-site, as its materiality, spatial effect, and exhibition atmosphere can only be fully comprehended through direct artistic experience.
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