Painting & Sculpture in Dialogue at the Museum Altomünster
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When Painting and Sculpture Enter into Conversation
At the Museum Altomünster, the bronze sculptures of Polish sculptor Remigiusz Dulko meet the paintings of Aichach artist and writer Fabian Oppolzer. The exhibition Painting & Sculpture in Dialogue opens up a tension-filled artistic space between body, color, material, and memory.
A Dialogue Between Surface and Space
The exhibition title describes the curatorial principle: painting and sculpture do not appear in isolation but respond to each other. Color surface, light, and painterly rhythm encounter volume, texture, and spatial presence. In the consideration of the works, a play of interaction emerges that slows the gaze and intensifies the aesthetic experience.
The exhibition atmosphere of the Museum Altomünster supports this dialogue. Between historical monastery culture, religious memory, and contemporary art, a concentrated artistic experience develops that connects different cultural perspectives.
Remigiusz Dulko: Bronze Between Figure and Memory
Remigiusz Dulko was born in 1955 in Lidzbark Warmiński and studied sculpture at the Academy of Fine Arts in Krakow, graduating with honors in 1979. For more than four decades, he has been working with bronze and uses traditional lost-wax casting for his figurative sculptures.
His plastic visual language revolves around people, relationships, spirituality, and memory. Between the sacred and the everyday, the sculptures unfold a quiet, penetrating presence. Mass, gesture, and surface become carriers of meaning, making the physical impact of the sculpture immediately palpable.
Fabian Oppolzer: Painting with Literary Sensitivity
Fabian Oppolzer works as a painter, musician, and writer in Aichach. His artistic position complements Dulko's plastic form language with color harmony, composition, and painterly openness. The selected images create a resonance space where perception, memory, and cultural encounter come together.
It is particularly in the contrast of image and sculpture that the strength of the exhibition becomes evident: Painting opens inner spaces while bronze physically structures the exhibition space. Differences are not smoothed over but made visible as productive tension.
Art as a German-Polish Encounter
The exhibition is connected to the partnership between the Dachau district and Oświęcim, specifically Auschwitz. Two artists from different cultural contexts meet in Altomünster and continue a dialogue that transcends linguistic and geographical boundaries.
The museum understands art as a way to bring people together and open new perspectives. This connects the exhibition's art-historical reflection with cultural education: visitors experience how painting and sculpture can spark conversations, even where words alone are insufficient.
Visit to the Museum Altomünster
The exhibition is on view from September 27, 2026, to January 17, 2027. The museum is open Thursdays to Saturdays from 1 PM to 4 PM, Sundays from 1 PM to 5 PM, and on holidays from 1 PM to 4 PM. Admission costs 2.50 euros per person; children up to 14 years visit the exhibition free of charge. Groups of ten or more pay 2.00 euros per person.
Conclusion: An Artistic Experience Between History and Present
Painting & Sculpture in Dialogue promises an intense aesthetic experience between bronze, color, form, and space. Art enthusiasts discover two independent artistic signatures and experience how cultural encounters gain new meaning through the contemplation of works. A visit to the Museum Altomünster enriches perception and opens an impressive dialogue that one should definitely experience live.
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