Painting & Sculpture in Dialogue at Museum Altomünster
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When Painting and Sculpture Start a Conversation
At the Altomünster Museum, from September 27, 2026, to January 17, 2027, two independent artistic positions meet: the bronze sculptures of Polish sculptor Remigiusz Dulko from Oświęcim and the paintings of Aichach artist and writer Fabian Oppolzer. The exhibition Painting & Sculpture in Dialogue makes visible how art transcends cultural boundaries and opens new perspectives.
A Dialogue Between Color, Form, and Material
The exhibition title precisely describes the curatorial principle. Painting and sculpture do not stand isolated next to each other but enter into a dynamic exchange. Color, surface, volume, and image space influence the perception of the works and create an aesthetic experience that unfolds fully only during an immediate visit to the museum.
The exhibition atmosphere thrives on the contrast between the spatial presence of the sculpture and the poetic openness of the painting. Bronze has weight, resistance, and a physical presence; the image responds with color, rhythm, and narrative concentration. Thus, an artistic experience is created that slows down the gaze and invites concentrated perception.
Remigiusz Dulko: Bronze as an Expression of Body and Memory
Remigiusz Dulko studied sculpture at the Academy of Fine Arts in Krakow and graduated with honors in 1979. Since the beginning of his artistic career, he has been working intensively with bronze and personally accompanies the creation process of his works from the design to the final processing.
His figurative sculptures revolve around people, relationships, spirituality, and memory. Between the sacred and the everyday, Dulko develops an expressive plastic language. The bronze appears not as a smooth surface but as a lively material where craftsmanship, physical tension, and symbolic meaning come together.
Fabian Oppolzer: Painting Between Image, Language, and Perception
Fabian Oppolzer connects his work as a painter and writer with a pronounced interest in narrative image spaces. His painting opens an open resonance space for color, form, and memory. In dialogue with Dulko's sculptures, it gains an additional spatial and physical dimension.
The juxtaposition of both positions directs attention to fundamental questions of art: How does an idea become a form? How does material alter our perception? And how can images and sculptures create a dialogue that extends beyond language? It is precisely this connection of painting, sculpture, and cultural education that makes the exhibition particularly stimulating for art enthusiasts.
Art as a Bridge Between Dachau and Oświęcim
The exhibition also possesses a cultural-political and historical dimension. Dulko hails from Oświęcim, Oppolzer from the Aichach region. Their joint presentation ties into the partnership between Dachau and Oświęcim and continues the German-Polish exchange in the medium of art. The works open a sensitive space for encounter, reflection, and mutual understanding.
Conclusion: An Exhibition for Immediate Artwork Appreciation
Painting & Sculpture in Dialogue promises a concentrated artistic experience between bronze, color, body, and memory. Visitors will experience an exhibition at the Altomünster Museum that combines art-historical interest with sensual perception and makes cultural dialogue visible. Those who wish to experience the impact of material, space, and visual language directly should visit this exhibition live.
Official Channels of Remigiusz Dulko and Fabian Oppolzer:
- Instagram: no official profile found
- Facebook: no official profile found
- YouTube: no official profile found
- Website: https://www.remigiuszdulko.pl/artysta.html
