Painting & Sculpture in Dialogue at Altomünster Museum: Experience art in Altomünster
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A vibrant dialogue between painting and sculpture at the Altomünster Museum
With the exhibition Painting & Sculpture in Dialogue, the Altomünster Museum opens a concentrated view of two artistic signatures that ideally complement each other in their diversity: the Auschwitz sculptor Remigiusz Dulko and the Aichach painter and writer Fabian Oppolzer engage here in an open exchange about form, material, and visual language. The exhibition can be seen from September 27, 2026, to January 17, 2027 and connects contemporary art with the special atmosphere of a house that stands for cultural education and historical depth.
When painting and sculpture meet
The title of the exhibition already describes the aesthetic principle: It is not the individual position that is in the foreground, but the relationship of the works to each other. In this tension field unfolds an art experience that sharpens space, sight, and perception. Painting creates surface, color harmony, and inner movement; sculpture counters with body, volume, and presence. It is precisely in this juxtaposition that an exhibition atmosphere arises that is focused, calm, and yet dialogical.
The Altomünster Museum emphasizes that art creates encounters, opens perspectives, and brings people into conversation. This attitude shapes the curation of the exhibition. Visitors experience not just a mere showcase of works, but an aesthetic experience in which different artistic languages respond to each other and uncover new interpretations.
Remigiusz Dulko: Sculpture as condensed form
As a sculptor, Remigiusz Dulko is connected with a material thinking that returns the actual tension to sculpture: mass, surface, volume, and gesture become carriers of a silent but compelling effect. The exhibition situates him in the context of art that does not rely on effects but on presence. His works stand for the power of plastic form and for that immediacy that a sculpture can unfold in the space.
In conjunction with the images by Fabian Oppolzer, it becomes clear how much different media can deepen each other. Where painting thinks in color and composition, sculpture responds with physicality and spatial arrangement. Thus, a interplay emerges that art historical recalls classical dialog forms and simultaneously shows a contemporary, individual signature.
Fabian Oppolzer: Painting with literary resonance space
Fabian Oppolzer connects artistic practice and literary thinking. According to his biography, he was born in 1984 in Stuttgart, studied history, theology, and comparative literature in Vienna, and has been working as a visual artist since 2017. This intellectual breadth is reflected in a painting that not only makes visible but also opens spaces of meaning. His biography refers to an art that works with a sense of form and reflection, with openness to narrative, structure, and image rhythm. ([fabianoppolzer.com](https://www.fabianoppolzer.com/%C3%BCbermich?utm_source=openai))
In dialogue with Dulko, this painting gains an additional dimension. Color, line, and composition relate to the plastic presence of the sculpture. The result is a contemplation of the works that does not smooth out the differences but makes them productive. This is precisely the allure of this exhibition: it invites you to experience seeing as knowledge.
The Altomünster Museum as a cultural resonance space
The Altomünster Museum itself is a place with a strong historical identity. It is located in immediate proximity to the monastery church and dedicates itself in its permanent exhibition to the history of the Brigittine Order and its founder Birgitta of Sweden. The museum space is thus not neutral but shaped by religious, cultural historical, and regional memory. This environment enhances the effect of contemporary art and makes the visit a special cultural educational experience. ([altomuenster.de](https://altomuenster.de/freizeit-kultur/sehenswertes/museen/museum-altomuenster/?utm_source=openai))
For special exhibitions like this one, the museum uses its multifunctional forum format, which includes lectures, readings, and chamber concerts. Thus, the place understands itself as a vibrant house of mediation, where art does not appear in isolation but is embedded in a larger cultural context. ([altomuenster.de](https://altomuenster.de/freizeit-kultur/sehenswertes/museen/museum-altomuenster/?utm_source=openai))
Visit, admission, and practical information
The exhibition can be seen at Altomünster Museum, St. Birgittenhof 6, 85250 Altomünster. The museum's regular opening hours are Thursday to Saturday from 1 to 4 PM and Sunday from 1 to 5 PM; the admission fee is 2.50 euros per person, children up to 14 years have free admission, groups of 10 or more pay 2.00 euros per person. For guided tours, the museum sets a price of 15 euros. ([museum-altomuenster.de](https://www.museum-altomuenster.de/museum/oeffnungszeiten?utm_source=openai))
Important for planning: The museum is closed until September 23, 2026, and will reopen on September 24, 2026. Thus, the exhibition perfectly fits within the reopening period and is particularly suitable for an autumn-winter museum visit. ([museum-altomuenster.de](https://www.museum-altomuenster.de/museum/oeffnungszeiten?utm_source=openai))
Conclusion
Painting & Sculpture in Dialogue promises a concentrated art experience that re-thinks form, material, and perception. Those interested in contemporary art, spatial effects, and the fine tuning between image and plastic will find a rewarding exhibition visit with cultural depth here. An appointment that caters equally to art lovers and the curious: definitely to be experienced live.
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- Website: https://www.museum-altomuenster.de/
