Painting & Sculpture in Dialogue at the Museum Altomünster: Experience Art in Altomünster


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Painting & Sculpture in Dialogue: An Art Experience at the Altomünster Museum
From September 27, 2026 to January 17, 2027, painting and sculpture meet at the Altomünster Museum in an exhibition that vividly demonstrates how dynamic the dialogue between color, form, and space can be. The show brings together the works of Aichach painter and writer Fabian Oppolzer and sculptor Remigiusz Dulko from Oświęcim/Auschwitz, creating a sensually rich art experience. ([museum-altomuenster.de](https://museum-altomuenster.de/malerei-skulptur-im-dialog-remigiusz-dulko-und-fabian-oppolzer))
Between Surface and Volume
The appeal of this exhibition lies in the tension between two artistic languages. Painting unfolds as surface, light, and color, while sculpture generates presence through material, mass, and space. In the historical ambiance of the Altomünster Museum, this creates an aesthetic experience that is not only viewed but physically felt. The exhibition connects contemporary art with the unique atmosphere of a house that stands for cultural education and historical depth. ([museum-altomuenster.de](https://museum-altomuenster.de/malerei-skulptur-im-dialog-remigiusz-dulko-und-fabian-oppolzer))
Fabian Oppolzer: Image, Text, and Perspective
Fabian Oppolzer, born in 1984 in Stuttgart, studied history, theology, and comparative literature in Vienna. Since 2012, he has been working as a freelance writer and since 2017 also as a visual artist. His career combines literature, graphics, and painting; exhibitions in Vienna, Regensburg, Aichach, and other locations mark a continuous artistic profile. His work was publicly recognized with the Audience Award of the Aichach Art Prize 2022. In Altomünster, he brings the openness that characterizes his images and texts: an art that links thinking and seeing. ([fabianoppolzer.com](https://www.fabianoppolzer.com/%C3%BCbermich))
Remigiusz Dulko: Sculpture as Spatial Presence
Remigiusz Dulko represents a sculpture that establishes a compelling relationship between material and movement. The exhibition allows his works to be experienced in contrast to painting, thereby opening an expanded view of plastic form. In interplay with Oppolzer's works, sculpture here is not read as an isolated object but as a conversation partner in space. This is precisely the curatorial appeal of this exhibition: the visualization of difference and resonance. ([museum-altomuenster.de](https://museum-altomuenster.de/malerei-skulptur-im-dialog-remigiusz-dulko-und-fabian-oppolzer))
A House with Cultural Depth
The Altomünster Museum sees itself as a place for museum-based communication and historical anchoring. In addition to the special exhibition, the permanent exhibition invites visitors to explore the history of the Birgittine monastery, whose spiritual and material legacy shapes the location. This creates a multifaceted art experience for visitors: contemporary art meets monastic history, museum collection meets artistic present. Opening hours, audio guides, and guided tours facilitate visits and make the house accessible even to art-interested beginners. ([museum-altomuenster.de](https://www.museum-altomuenster.de/))
What Visitors Can Expect
Those who engage with this exhibition will experience not a loud effect, but a precisely composed encounter of painting and sculpture. The works unfold their impact in the alternation of proximity and distance, of quiet contemplation and mental movement. This makes visiting Altomünster particularly appealing for anyone who wants to experience art not just visually but also in its spatial effects, materiality, and expressiveness. A visit is worthwhile precisely for this reason: this exhibition offers a calm, concentrated, and simultaneously inspiring access to contemporary art. ([museum-altomuenster.de](https://museum-altomuenster.de/malerei-skulptur-im-dialog-remigiusz-dulko-und-fabian-oppolzer))
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